
- Image of Harold Pinter taken from www.lebanese4cuban5.com
I've been studying this incredibly interesting dramatist for some time now, and I've drawn two rather interesting conclusions.
The first (rather annoying) conclusion I've come to is this:
Pinter is not in the least mystifying.What annoys me about this is that everyone I spoke to built the issue of studying Pinter's ideas into a frenzied anticipation of late nights with glossaries, dictionaries, atlases, encyclopedias, diagrams and any other study-aids available. The long and short of it is that Harold Pinter writes in subtext. I can hear drama students all over the world running away as they read that dreaded word, "subtext." Yes, it's a grey area, can we move on?
Subtext is an endless topic of exploration into both self and into the character, but with a little hard work and an open mind, we can arrive at the conclusion that subtext is as simple as
the thought behind the line, or what thought causes you to say the words you are saying.
Let's, for the sake of example, consider the thought process behind greeting an old school friend you haven't seen for years. Picture the scene: somewhere between the tinned foods and the pasta in your local store, you spot old Harry doing his weekly shopping. Now, given his appearance, his mood, his energy, or any other signal old Harry may be giving off, your greeting of "Hello!" may have any one of an endless list of thoughts attached to it. depending on whether you're thinking "I don't believe how
old he looks", or "My God he's still gorgeous as ever!", the intention, intonation, and all the myriad parts of speech will change accordingly. Our job as actors is to find these sub-textual notions and display them through the written line.
Moving on. The second interesting point about Pinter's writing is that he's gone off and written about me, my friends, my father, my mother, all the other people I meet on a daily basis. His writing is so
real that I can identify the characters in many of his plays as people from my life. Pinter has achieved the rather terrifying feat of writing about the condition of everyone's lives, anywhere, at any given time.
His characters overflow with truth. You will never have to look far to find people in your everyday life who match Pinter's creations almost to the tee. This gives the actor a personal level of insight into his work. As we, the actors analyse the text, we rapidly gain powerful insights into the lives of those around us, and the human condition as a whole. The situations that the characters find themselves in are drenched in the acid rain of dark humor and cold hard reality.
Pinter is fast becoming my favorite dramatist. Every note, every script, every crit, every slice of information on Pinter intrigues me to a new level.
Pinter's works are available at
Amazon.com at really competitive prices. Check it out
here.
I can't wait to read more of his work.
Well, goodnight. Wish me a broken leg for my first performance exam of the year tomorrow!